aspire design and home proudly presents The Art of the Home, a transformational designer showhouse set within a breathtaking 13,000-square-foot estate in Upper Saddle River, New Jersey. This curated exhibition of world-class design, architecture, and fine art will run from September 19 through October 19, with an Opening Night Event to benefit the Tunnel to Towers Foundation on September 17.
Each Tuesday and Thursday, we’re spotlighting a different designer whose creative vision is shaping this bold, curated home. From behind-the-scenes peeks to personal stories, you’ll get an inside look at the minds reimagining what a home can be. Each interior designer representing their own designed spaces within the Showhouse has been paired with a renowned artist by Donald Christiansen, Founder of Chelsea Art Group, making each room not only a testament to impeccable design, but also a testament to the importance and impact of art within our lived spaces. Today, we learn about the mastermind behind some of the art pieces we’ve seen in previous showhouse spotlights.
Don Christiansen’s journey into the art world began with a single work that captured his imagination and never let go. That moment of connection became the foundation for Chelsea Art Group, which he founded in 1996 to help others discover art that resonates deeply and endures over time. Over more than two decades, Don has grown Chelsea Art Group into a trusted global consultancy, known for its expertise in paintings, prints and sculpture by distinguished mid-career artists, as well as modern and contemporary masters. As president, he works closely with both private and corporate collectors, guiding them through the thoughtful acquisition — and when the time is right, the deaccession — of individual works, curated groups and entire collections. Don’s professional relationships extend into the museum world, where he collaborates with curators and directors to place significant works into public collections, ensuring they can be appreciated for generations to come. For Don, collecting art is as much about people as it is about the work itself. He finds the greatest satisfaction in partnering with clients who are curious, engaged and passionate — whether they’re acquiring their very first piece or refining a mature collection. His approach is personal and intentional, always focused on identifying art that speaks to each client’s unique vision and sensibilities.
Tell us about your curatorial vision for The Art of the Home. What inspired your approach to selecting the artwork for this showhouse?
I believe that exceptional art has the power to transform environments and should be an integral part of one’s home. Experiencing such works, in renowned museums, then going home to see them in a private residence, is deeply impactful. My objective was to harmonize the intentions of the designer with the artistic vision, creating a cohesive and meaningful dialogue between both.
What mood or emotional resonance are you hoping the art evokes as guests move through the space?
I hope the space stirs a quiet wonder — where each step reveals a harmony between design and art that feels both intentional and effortless. The museum-quality pieces, in concert with the refined room design, should invite moments of pause, where light, texture, and color awaken curiosity and reflection. My aim is for guests to feel embraced by the space, carrying with them a lingering sense of beauty, inspiration, and connection long after they leave.
Was there a particular piece, artist, or movement that served as your starting point for this curation? How did it shape the direction of your selections?
I have consistently envisioned the showhouse as a miniature art fair. One significant advantage is the ability to source artwork from a diverse range of providers, rather than relying solely on one inventory. This approach enables me to consider each designer’s vision and carefully curate artistic expression within the space.
“Artwork in a home stirs a quiet wonder– By closely working with the showhouse designers, I had the pleasure to choose museum-quality pieces which dance in concert with the room design aesthetics and concepts. My hope with this endeavor,” says Donald Christiansen, “Is that these artworks invite moments of pause, where light, texture and color awaken curiosity and reflection. My aim is for guests to feel embraced by the space, carrying with them a lingering sense of beauty, inspiration, and connection long after they leave.”
How did you collaborate with the interior designers in the showhouse? Were there any surprising or meaningful synergies that emerged between art and interiors?
Each designer started from a different place — whether focusing on room function, a theme, or making a statement. I also wanted to highlight artists I admire in the common areas for their unique approach. It was my job to understand their goals and find great artwork to enhance but not overpower those goals.
Are there any unexpected mediums, artists, or visual conversations that viewers might not anticipate — but that you’re especially excited to highlight?
There will be several surprises, and the artwork in the house will impress everyone — but that will remain a secret for now.
What’s been the most rewarding or challenging part of curating art for a showhouse as opposed to a gallery or private residence?
Each room reflects the designer’s vision, so the artwork is curated specifically to complement that perspective rather than to appeal directly to owners or collectors. Nevertheless, it is my hope that the pieces featured in the showhouse will ultimately find their place in the homes of those inspired by the designers’ concepts.